bruteccode: emily mortimer hugo

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Hugo is Scorsese's first film shot in 3D, of which the filmmaker remarked: "I found 3D to be really interesting, because the actors were more upfront emotionally. Their slightest move, their slightest intention is picked up much more precisely." The film was distributed by Paramount Pictures and released in the U.S. on 23 November 2011. Martin Scorsese won the Golden Globe Award for Best Director at the 69th Golden Globe Awards ceremony.

EMILY MORTIMER on technology:
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3D Picture 'Hugo' Arrive
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Emily Mortimer stars Lisette
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emily mortimer hugo abret 21 7
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Emily Mortimer Emily Mortimer
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Emily Mortimer Emily Mortimer
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Emily Mortimer (L-R) Emily
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In 1931, Hugo Cabret, a young boy whose mother has died, lives with his father, a master clockmaker in Paris. Hugo's father takes him to see films and loves the films of Georges Méliès best of all. Hugo's father dies in a museum fire, and Hugo is taken away by his uncle, an alcoholic watchmaker who is responsible for maintaining the clocks in the railway station. His uncle teaches him to take care of the clocks, then disappears. Hugo lives between the walls of the station, maintaining the clocks, stealing food and working on his father's most ambitious project: repairing a broken automaton – a mechanical man who is supposed to write with a pen. Hugo steals mechanical parts in the station to repair the automaton, but he is caught by a toy store owner who takes away Hugo's blueprints for the automaton. The automaton is missing one part – a heart–shaped key. Convinced that the automaton contains a message from his father, Hugo goes to desperate lengths to fix the machine. He gains the assistance of Isabelle, a girl close to his age and the goddaughter of the toy shop owner. He introduces Isabelle to the movies, which her godfather has never let her see. Isabelle turns out to have the key to the automaton. When they use the key to activate the automaton, it produces a drawing of a film scene Hugo remembers his father telling him about. They discover that the film was created by Georges Méliès, Isabelle's godfather, an early – but now neglected and disillusioned – cinema legend, and that the automaton was a beloved creation of his, from his days as a magician. In the end, the children reconnect Georges with his past and with a new generation of cinema aficionados who have come to appreciate his work.